In terms of composition, this work applies the aesthetic theory of repetition, duplicating unit shapes to form continuous twos or fours that result in Kaleidoskop effects. The inclusion of red braille signals warning (the red braille reads “Nightmare of Tao Tribe”) to encourage viewers to contemplate Lanyu’s issue of storing nuclear waste and the blind policies that affect the land, while the image of the love and sacrifice of Jesus soothes injured souls of the Tao Tribe. As for techniques, the work is created using 12 images that are repeated to form a larger work, extending and breaking through the limitations of wood-engraved relief print.
